Saturday, February 22, 2014

19 Feb 2014 Salvador, Baia de Todos Os Santos, Brazil

Masked Booby leading the way

Salvador's Artisan Market

One of the hundreds of churches

The large Bay of Todos Los Santos to the South and the Atlantic Ocean to the East enclose the Peninsular of Itapagipana. Salvador, specifically the historic centre of Pelhourino, nestles at the edge of the Bay.
One of the oldest cities of Brazil, it is also the one that has the closest present day connection to the influence of African culture. Almost all citizens can trace their heritage back to one of the hundreds of thousands of mostly Nigerian slaves, which were brought here to work mines, forests and sugar cane fields.
Salvador was owned, occupied, fought over, lost and regained by various colonial powers, gave birth to a number of fugitive slave towns in its environs, and was the first official Capital of Brazil.
The name Brazil hails from the original trading goods exploited here: Brazil wood. Indigenous people used


the wood to extract unique red colouring to decorate their skin. Explorers soon realized that the die would serve a demanding market in Europe. As the colour was close to the hue of burning embers, braza, the name ‘Braz-il’ soon came into use.
The paint trade lasted until the Chinese developed a cheaper version of it, then sugar cane came into its own. The town was rich. When sugar tanked, it slowly fell into ruins. Luckily, colonial architecture was saved from ultimate destruction, when Salvador was declared a Unesco World Heritage Site, which caused massive efforts at renovation and reconstruction.

Children enjoying a fresh fruit snack


Pelhourine, meaning ‘pillory’, is presently a visual delight. It definitely was not so for the original slaves, who were tied to whipping post (pillories) to be punished for real or imagined offences against the laws of the times.
Old photo of slave


Dozens if not hundreds of monasteries, churches, chapels etc. rise above the colourful houses along undulating streets, still offering a cobble stoned obstacle course. African rhythms fill the streets, where Salvadorians perform impromptu percussion concerts in the shade. The heat is stifling…
It is claimed by the locals, that Salvadorians founded New York, USA. They say, that Dutch and Dutch Jewish people arrived here (when Salvador was temporarily non Portuguese) and settled and started lively commerce. However, the pesky Portuguese re-conquered the place, and the Dutch and Jewish population fled for friendlier shores one year after their arrival – heading north to the other American Continent to found New Amsterdam, today called New York.
Salvador’s alleys and streets lived through a period of seediness, making it famous for high crime rates and an aura of decay. My visit found something altogether different: shops filled with art work and artisan product, pure cotton clothing, lace, musical instruments…and a healthy line up of art schools. 
Rounding things out pleasantly for a visitor, there were dozens of inviting street side cafes, bistros and restaurants, offering a plethora of seafood as well as local meaning African inspired) specialties. The beer was good, too.
At the edge of the Favela, Slum

Although the regular Salvadorians wore ‘international fashion’, meaning jeans and t-shirts, many black women wore historic outfits, consisting of hooped skirts and flouncy blouses, topped with a turban.
Allegedly and historically the hooped skirts served to hide socially unacceptable pregnancies, caused by slave owners having a little aside with an unwilling but attractive ‘property’. Slave trade in Brazil out-ranked any other slave trade in the world, importing more than 90 percent of Africans, sequestered under atrocious circumstances, transported in murderous conditions, and then sold inhumanely to planters, to live a life of misery and hopelessness. Only late 1860 (???) slave trade was abolished in Brazil. Many slaves fled into the jungle to start small settlements, which were vigorously persecuted by the owners. Some fugitive villages held out against the Portuguese for years, one of which defended by a well-educated black slave teenager, called Zumbi. Zumbi defended his home village in the jungle for about 16 years, when he was finally defeated and executed. The date of his death has been declared National Day of Black Consciousness in Brazil. His statue stands in one of the squares of Pelhourinho.
Traces of past wealth of the church and all its manifestations are evident in the many churches. The Church dedicated to San Francisco is one of the most notable, with an interior totally covered in gold leaf – kilos and kilos and kilos of it.
Weighted down by Gold Leaf

Evening in Salvador – despite all the social and municipal improvements of Historic Salvador, the City feels intimidating at night. Most streets are pitch dark and deserted. At the square, and especially in the time to ramp up for Carnival, crowds of local Africans spill from the bars into the street and enjoy their leisure time, accompanied with the appropriate local libations and ear splitting drumming, which evoke images of the darkest and most fearsome Africa.

Resting at the Cathedral's Entrance

Waiting for the Drumming to Start

Caporeia dancers

Street corner drumming band

I visited a local Folkloric performance in a restaurant (buffet dinner), which was incongruously called Coliseo, O Sabor da Roma Negro. Candomble sacred dances, enhanced with strobe lights, filled the evening, giving homage to a whole line up of ancient African Animistic Gods, such as Ogum, God of War; Iansa, Goddess of Lightning and Oxum, Queen of the Sweet Waters.
Samba of course is a must have number, it originates as a dance where women took the initiative to choose a partner. Capoeira was danced as well, which is half martial art and half dance, which involves a lot of potentially fatal legwork, and hardly any arm movements. It is said, that manacled slaves could not use their chained arms but in defense, and developing their legs as weapons of attack. Today it is a ritual dance that is performed to an irresistible rhythm played by atabaqhe drums and berimbaus.
Salvadorena

Artist of all stripes exhibit and sell their wares

One of the main Plazas of Salvador

Woven Cane and thread

Ladies with hoop skirts resting in the shade

A somewhat bizarre combination, high tech lighting and ancient rituals in a Roman inspired venue – Brazil!
San Francisco Cathedral by night

Men dressed as women dancing Candomble dance

African instruments provide background music

Off Into the Sunset again